
In
Delhi, in the seventies, we used to look out for sunsets in the monsoon
and post-monsoon months of August and September without fail. In a big
and dry city like Delhi, rain was incredibly energetic. It was always a
bonus; it brought high spirits, and it spelt romance. Spells of rain
never lasted too long, and when they ended by evening, we got the
additional treat of a sunset to enjoy and remember.
Evening
curfew for a young girl like me in those days was lighting-up time. As
soon as the street lights came on, I had to be home. What lovely late
evening twilights we had. The light would fade slowly and grandly out of
the sky, lingering until the clouds and trees were dark silhouettes. In
my imagination, those banked up clouds on the horizon, black and purple
masses, were mountains. The return home at the street light hour was
followed by prayers in the back verandah. The puja was in the store room
that opened off it. The back verandah would be lit only by the fading
daylight and the storeroom was beautiful in the dark. It was comforting
and yet exciting, and there were many smells that filled it: the sharp
smell of the scrubbed brass villakku or the smoky smell of burnt oil
wicks, the scent of goodies stored in big biscuit tins, and agarbatti,
which dominated, and then took over my senses with its calming effect so
that my troubles -- homework undone or a test the next day-- would be
washed away. Only the comfort and the safety of my parents' home would
remain.
It was remarkable that one could connect to nature in such a profound way in the heart of Delhi.
That
was a long time ago, and the habit of enjoying a few quiet moments
gathering one's thoughts at the end of the day remains. On some
evenings, the day seems to die, and it has a melancholy feel. On other
days, there is only a feeling of peace. Today, I was sitting outside our
house and looking at the Bhutan Himalayas, purple and black masses
against the Northern sky, and I dreamed they were the clouds of my Delhi
childhood. One peak stood out sharply defined, perfectly symmetrical,
and in the foreground, a gulmohar leaf swayed in the silent breeze. It
could have been a calendar picture of Mt.Fuji with a leaf etching in
front.
It rained all afternoon after an incredibly hot and sticky
morning. The thunder was deafening and it was a really dramatic, high
intensity storm. It cleared the air magically. By four o'clock, the sky
was washed blue and the hills stood out in clear relief. I walked down
to the National Highway -- a straight road leads to it from my house -
at about five o'clock, with my head turned right to see the hills. They
were silhouettes; I couldn’t see the trees on them at all, but I could
see the ranges layered out distinctly. Where the sky met the hills, it
was a lighter blue than anywhere else; almost whitish, and luminous. The
silence that settled around this spectacle made me imagine it was a
pre-dawn scene, as if something big was about to happen soon.
Back
from my walk, I sat outside on a swing, with our patient and undemanding
dog Simba at my feet. There was a gentle breeze blowing. Birds had
returned to their nests and fallen silent. A truck rumbled past on the
highway, but it wasn’t an unwelcome sound.
The sound of children
playing somewhere in the distance was missing today. It is a typical
evening sound. Once I was among children who played in the evenings out
in the open, watching anxiously for the lights on the lampposts. Then,
as a young adult, I remember sitting and daydreaming on the front steps
in the evening and listening to a sad song about a lonely man watching
the children play. I sit alone now and the children who played in this
garden when they were little have left home. Home and childhood may seem
very far away to them too. The complete tranquility and simplicity of
those childhood years is lost for ever, but at moments such as these,
one can recapture traces of it.
Published here in my blog in 2007